Franco Morone - My Acoustic Blues Guitar Download

With My Acoustic Blues Guitar, Franco Morone succeeds in unifying an interesting music book and a manual for playing fingerstyle blues .He presents a method that starts with easy elementary exercises , then the more sophisticated ones in which elaboration is on tyical fingerstyle blues phrases . These are then used in 10 full scale blues pieces and 6 studies .The compositions are like a challenge for more the advanced players. CD included!

Download HERE

Read More

Basic Elements of Chord Symbols

A chord symbol, such as CMaj7, usually contains three parts:

• A pitch-letter (such as C) to indicate the key
• The chord type of a major (Ma) or minor (m) key
• The number that indicates the top note of the chord (6, 7, 9, 11, or 13)

Normally, a chord contains the 1, 3, and 5 notes of the key plus one or more extensions
(higher notes in the chord). For example, CMa7 contains the 1, 3, 5, and 7 of C Major (C, E,
G, and B), while a CMa9 chord contains the 1, 3, 5, 7, and 9 of C Major (C, E, G, B, and D).
A chord symbol can indicate any of the 12 keys, such as C#, D, Eb, E, etc.
Building Major Chords
A major chord has the 1, 3, and 5 degrees of a major scale. A major 7 chord has the 1, 3, 5,
and 7; a major 9 chord has the 1, 3, 5, 7, and 9; and a major 6 chord has the 1, 3, 5, and 6.
1.5 Spelling the 12 Major Chords
The examples below show common major chord symbols you’ll see in chord progressions,
along with their chord tones, or arpeggios. C is the example key used here.

          CMaj          CMaj7         CMaj9         CMaj6

Read More

Jazz fake books collection Download

Excellent Jazz fake books collection - Darwin (Tamanho: 1014,64 MB) to download here you will find bill evans fake book, guitar 557 standards, latin real book, new real book vol 1,2,3, the tv fake book, etc and much much more... Download HERE

Read More

8 tips to Teach yourself Piano and a book to download- 8 dicas para Aprender Piano Sozinho com livro para Download

1. 1
   Find a piano to use. You may have one at home, or you may be able to find one somewhere else. You also need to make sure the piano is reasonably tuned. If your piano hasn't been played for ages, or has recently been moved, chances are, it's at least a bit out of tune. While the piano being a tiny bit off shouldn't matter much, if the piano is worse, you may want to have it tuned by a professional before going any further.
2. 2
   If you're unable to find a piano, a keyboard is a great alternative. They're affordable, never go out of tune, and have lots of sounds and features that can enhance your music. And higher end keyboard models sound just as good or better than many grand pianos. Not to mention they're a lot easier to move around and don't take up much space.
3. 3
   Acquire some prior musical knowledge. Teaching yourself to play the piano will be pretty much impossible if you haven't had some sort of professional teaching on some other instrument -- you need to know how to read and you need to understand musicbefore you can teach yourself to play anything. It does not matter if the other instrument you can play is, say, a Bb clarinet or an Eb alto saxophone, even though the piano is a C instrument. In fact, once you get better at the piano, you can do some really cool things if you play an instrument in another key.

Read More

Chick Corea Keyboard Workshop Booklet Download

Chick Corea, one of the most influential keyboard players and composers in the history of jazz, provides insights into practicing, composing, and improvising. Features a brand-new piece composed, developed, and performed by a trio including John Patitucci, and Tom Brechtlein. Special features include bonus video performances, additional video tips, play-along video with printout, additional product previews, and Internet connectivity.  

Download HERE

Read More

Creative Improvisation

Improvisation is the art of creating something quickly, with limited time to plan and with limited materials. To improvise, you need to make quick decisions and see relationships quickly, while you’re creating.

Can Improvisation Be Pre-Determined?
By definition, improvisation is not pre-determined. For example, if you plan out all the notes of a solo and then play them, it’s a composition, not an improvisation. (In some cases that may be OK, such as for very short solos or recordings where a specific result is needed.) Here’s what you should study and plan ahead of time:


• The elements of the song to improvise to (chords, scales, rhythmic style, etc.)


• The basic mood and feeling of the song

Read More

Five Barriers to Creativity

Sometimes we stifle our creativity by limiting the way we think. Here are five common barriers to creativity:
1) “There’s just one way to solve a problem.”
2) “I need a new and unique solution, not one that’s borrowed or adapted.”
3) “I don’t really understand the tools and materials.”
4) “I just build, without planning or visualizing.”
5) “My fears or ego interfere with creativity.”

Below are some ways to overcome these five barriers.

Barrier 1: Only One Way to Solve a Problem
When we try to solve a problem, sometimes our solution clicks and sometimes it doesn’t. When it doesn’t work, we should ask ourselves:
• Are we trying to solving the right problem? We often try to solve the first problem we see or the easiest first.

Read More

Fazer Beats de Sucesso e manter orçamento

Vamos chegar ao ponto. Nada sobre o mercado, vamos simplesmente para o hip hop especialmente para você. Você deve fazer o trabalho sozinho.

Não importa quanto conhecimento e experiência que você ganha, não importa quantas batidas, samples e loops que você baixa, não importa o software ou hardware que você usa, você deve ter o talento para usar todas essas ferramentas e recursos para produzir material que bate no rádio e nos clubes.

Agora, com o que disse, há alguns produtos no mercado que são fascinantes, intuitivos e acima de tudo criativos inspiradores de usar. Determinar quais os produtos no mercado são adequados para a sua maneira de produzir música dependende de sua abordagem sobre a produção de áudio.

Fazer batidas com sucesso, com um baixo orçamento não é difícil. Ele pode ser ainda menor se você fizer as escolhas certas, usando qualquer software de produção de áudio ou hardware que você pretenda utilizar. Agora, se você é novo em fazer batidas, então é altamente recomendado lutilizar ferramentas e aplicativos que o ajudarão a começar a fazer seus instrumentais do jeito certo.

Read More

The Improviser's Bass Method by Chuck Sher (Bass Method) Download

The most comprehensive bass method book ever published!

A complete method book, over 200 pages, filled with information and exercises on all aspects of bass playing, for both acoustic and electric bass.

Plus transcribed bass lines and solos by:

Eddie Gomez Ron Carter David Friesen Charles Mingus James Jamerson Ray Brown Paul Jackson

Scott LaFaro Marcus Miller George Mraz Jaco Pastorius Paul Chambers Alphonso Johnson Jimmy Garrison ...and more! Download HERE

Read More

Creativity

The principles of creativity and improvisation can be understood, learned, and applied. Some people think you’re either born creative or you’re not, and that you can’t really develop creativity. I firmly believe otherwise: if you want to develop creativity and you learn the creative process, you can definitely be more creative. The issue isn’t whether you’ll become a creative genius, but how well you’ll develop your own creative gift. As you read this chapter, think of how the creative process can apply to your own jazz improvisation.

The Creative Process
Creativity is the art of organizing things or ideas in a useful or unusual way. You can use the creative process to do the following things, for example:
• Make one or more objects from available materials, such as a musical phrase from individual notes.

Read More

Learning Values through Improvisation

Learning to improvise and interact musically can build rich experiences and positive values
in your daily life. Here are five of life’s values that the art of improvisation can strengthen:

1) Discernment and wisdom
2) Integrity
3) Leadership
4) Informed risks
5) Diversity

#1: Discernment and Wisdom
Improvising opens up a potential floodgate of notes and ideas. Exploring and controlling these musical ideas requires discernment and wisdom. First, you use discernment to recognize chords, rhythms, melodic shapes, and other elements as they emerge in the music. Then you develop wisdom as you learn:
• When to speak up musically and when to be silent
• When and how to copy, change, or support the ideas of other players
• How to fully develop musical ideas to interesting conclusions

Read More

The Seven Elements of Improvisation

The Seven Elements of jazz improvisation have initials that conveniently spell out “MR. ED, CPA:”

1) M elody
2) R hythm
3) E xpression
4) D evelopment
5) C hord progressions
6) P erformance
7) A nalysis

These initials should be pretty easy to remember. As you work on the seven elements in your daily practice, you’ll create exciting, artistic solos. These Seven Elements are the foundation of each of the Five Levels of improvisation
Read More

Classical Composition, language, comedy and Improvisation

Traditional (“classical”) musical composition and jazz improv have interesting similarities and contrasts.


Classical Composition
1) Write pitches and rhythms before a performance.
2) Use chromatic scale pitches and duple- and triple-meter rhythms.
3) Develop melodies using specific techniques.
4) Have the musical skills to hear and perform the written notes.
5) Use common forms, structures (4-bar, 8-bar, etc.).


Jazz Improvisation
1) Select pitches and rhythms during a performance.
2) Use chromatic scale pitches and triple- and duple-meter rhythms.
3) Develop melodies using specific techniques.
4) Have the musical skills to hear and perform the notes you imagine.
5) Use common forms, structures (4-bar, 8-bar, etc.).


Language and Improvisation
Jazz improv is like impromptu speaking, so improv and spoken language have many similarities:

Read More

Definitions of Improvisation

Musicians have been improvising jazz for a long time. Below are some typical definitions of jazz improv, with some common questions raised by each definition.

Definition A: Jazz improv is making up music as you go.

Question 1: So how do you make it up?

Question 2: What makes it sound good or bad?

Definition B: Jazz improv is choosing notes to fit chords.

Question 3: What are notes?

Question 4: What are wrong notes?

Definition C: Jazz improv is musical communication.

Question 5: Who communicates?

Question 6: What do you communicate and how?

Q1: How Do You Make It Up?

Improvising is creating music on the spot, but you don’t improvise

Read More

Jazz Improvisation Myths

Let’s begin by discussing what jazz improvisation isn’t. Here are four common myths about

jazz improv:

1) “Jazz improv is something you’re born with, not something you learn.”

2) “Jazz improv requires perfect pitch.”

3) “You can’t practice without an instrument.”

4) “Classical and jazz have little in common.”

Myth #1: You’re Born With It

Although jazz improv is a universal language, we’re not born with it. But almost anyone can learn basic improv skills (listening, ear training, theory, instrumental or voice techniques); some people learn faster than others. Some very good improvisers start later in life, but all good improvisers pay their dues by studying the works of the

Read More

Horacio el Negro - conversation in Clave Download

Learn to Hear
El Negro tells us that coordination is more than just playing patterns, it's the ability to "hear multiple rhythms from multiple sound sources at the same time. This is, in fact, the key to high level drum set and percussion performance." I heartily agree. Although in the beginning you need to practice certain patterns to be able to develop four-way coordination, eventually you should get to the point where you can play absolutely anything that comes to mind. To that end, this book is divided into eight main sections and

Read More

The Wolf Marshall Guitar Method (Volume 1 2 3) + CD Download

The Wolf Marshall Guitar Method (Volume 1 2 3) + CD

This first book launches you straight into a hands-on contemporary approach to learning the basics of both guitar and music. The essential visual element of shapes and patterns on the fingerboard unlock the secret to successful and creative playing. Youll learn exciting power chords, strum patterns, riffs, guitar techniques like muting and string bending, and 12 bar blues progression. All presented with contemporary music examples and figures (from rockabilly to hard rock). In addition, youll gain

Read More

Improvisando sobre a Progressão Harmônica

Uma vez que você tenha alguma ideia da associação entre as cifras dos acordes e as escalas, e como desenvolver uma linha melódica, você pode começar a improvisar sobre progressões harmônicas. Em situações de palco, a seção rítmica estará delineando as progressões harmônicas no tempo, enquanto você toca linhas melódicas improvisadas baseadas nas escalas que lhe são associadas. Geralmente haverá mudança de acorde a cada compasso, e você precisa ficar trocando de escala para acompanhar. Entretanto, você não deve pensar um acorde de cada vez. Você deve ficar tentando construir linhas que levem

Read More

Introdução a Improvisação

Harmonia da Escala Maior

Uma grande parte da harmonia do jazz é baseada na escala maior. Como dissemos antes, cada escala maior tem uma relativa menor que é formada quando se toca a mesma sequência de notas, mas a partir do sexto grau da escala maior. Aliás, outras escalas podem ser formadas usando-se a sequência de notas de uma escala maior, a partir de qualquer um de seus graus. Essas escalas são chamados modos da escala. A escala maior natural é chamada o modo jônio (ou jônico ou iônico). A escala formada a partir da sexta nota, a relativa menor, é chamada de modo eólio. Os nomes desses

Read More

Chromatic Exercise 1

Read More

Chromatic Exercise 2

Read More

Chromatic Exercise 3

Read More

Chromatic Exercise 4

Read More

Chromatic Exercise 5

Read More

Chromatic Exercise 6

Read More

Chromatic Exercise 7

More Exercises Here

Read More

Harmony Walter Piston Download

This fifth edition of Harmony marks the forty-fifth year of its successful use. The major departure of the fourth edition was the addition of seven new chapters, including four on the complicated subject of harmony after common practice, which had not been discussed in the first three editions. The core of the book, however, remains the exhaustive treatment of common-practice harmony, which will still be the basis for most one-year or two-year courses in tonal harmony. In the present edition the entire text has been carefully examined, with a view especially to clarifying the language whenever possible. A few topics of relatively lesser importance have been deleted, and a number of duplicative examples have been trimmed.

Download Here

Read More

Andy Jaffe Jazz Harmony Download

This book covers everything in the Berklee harmony curriculum and more. It starts off very basic and goes on to analysis of real tunes, such as John Coltrane's "Countdown." It belongs in every Jazz musician's library. Highly recommended.

Download Here

Read More

Teoria Musical Básica

Intervalos

Há 12 notas diferentes na música tradicional: Dó, Dó Sustenido/Ré Bemol, Ré, Ré Sustenido/Mi Bemol, Mi, Fá, Fá Sustenido/Sol Bemol, Sol, Sol Sustenido/Lá Bemol, Lá, Lá Sustenido/Si Bemol e Si. Depois do Si vem o Dó uma oitava acima do primeiro Dó, e este ciclo continua. Essa sequência é chamada de escala cromática. Cada etapa nessa escala é chamada de um meio tom ou semitom. O intervalo entre duas notas é definido pelo número de semitons entre elas. Duas notas distantes um semitom, como Dó e Dó Sustenido, definem uma segunda menor. As notas que estão dois semitons distantes, como Dó e Ré, definem uma segunda maior. Isso também é chamado um tom inteiro. De semitom em semitom, os demais intervalos são a terça menor, terça maior, quarta justa, trítono, quinta justa, sexta menor, sexta maior, sétima menor, sétima maior e, por fim, a oitava.

A maioria desses intervalos também tem outros nomes. Por exemplo, um trítono é

Read More

The Mixing Engineers Handbook Download

Throughout his 30 years of experience in studios, Bobby Owsinski interviewed many well-known engineers, from Bruce Swedien to George Massenburg, and the transcripts of the interviews make up half of this book's 200 pages. The other half details all the aspects of mixing, framed by comments extracted from the interviews. Top-notch organization allows the reader to access engineers' comments by topic or by the name of the engineer.

This well-written handbook should entertain everyone from the rookie engineer to the seasoned professional through chapters on the history of mixing, dynamics, EQ'ing, sound-field placement and effects. With additional chapters on balance, "the key to a great mix," the final mix, and an extensive section on mixing for surround sound, solutions to common conundrums are both detailed and varied. Most refreshing is the candor with which the engineers describe their craft.

This is a very revealing visit into the often mythical realms of mixing, and even established engineers can learn something new from this book.

Download HERE

Read More

Guia de Mixagem II Download

O Autor parte para uma apresentação passo-a-passo, ou melhor, instrumento a instrumento, das técnicas de mixagem, suas mudanças, segredos, particularidades. E, como no primeiro volume, ilustra essa grande aula com fatos curiosos, além de muitas dicas práticas, claro. Como bônus, o leitor ainda recebe um guia sobre monitoração - afinal, é preciso saber ouvir!

Download HERE

Read More

Guia de Mixagem I Download

Aborda cada etapa, com príncipios, tendências, dificuldades e truques, do processo de mixar uma canção, além de dicas de equipamento e técnicas. Traz informações que servem tanto a profissionais quanto a músicos e técnicos que estão montando seu home studio.

Download Here

Read More

Real Bossa Para Band in a Box Download

Mais um arquivo importante para os amantes do Jazz. Neste Pacote encontrarás os maiores êxitos do Bossa Nova incluindo: Blue Bossa, Chega de Saudade, Besame, A felicidade, Aquele Abraço, Brigas nunca mais, desafinado, flor de liz, minha namorada, etc... com este potente pacote não só poderás praticar os teus improvisos sobre esses temas como também poderás aprender a toca-los em qualquer instrumentos que desejares, sobre qulquer ritmo e tempo que quiseres. vale muito a pena!

Another important file for lovers of jazz. In this package you will find the biggest successes of the Bossa Nova including: Blue Bossa, Chega de Saudade, Besame,Happiness, One Embrace, Fights ever again, tune, lily, my girlfriend, etc ... with thispowerful package not only you can practice your improvisation on these themes you can also learn how to play them on any instrument you want, on any rhythm and tempo you want. worth it!

Download HERE

Read More

Aebersold - Vol 13 - Cannonrall Adderly

Includes: Del Sasser, Jeannine, Sack of Woe, Sauda , Scotch and Water

This Here, Unit Seven, Work Song

Download Here

Read More

Aebersold - Vol 12 - Duke Ellington Download

Includes: In a Sentimental Mood, Let a Song Go out of My Heart, Mood Indigo

Perdido, Prelude to a Kiss, Satin Doll, Solitude

Sophisticated Lady, Take the A Train

Download Here

Read More

Aebersold - Vol 11 - Herbie Hancock Download

Includes: And What If I Don't, Cantaloupe Island, Dolphin Dance, Jessica

Maiden Voyage, The Eye Of The Hurricane,Toys,Watermelon Man

Download Here

Read More

Aebersold - Vol 10 - David Baker Download

Includes: Aulil, Black Thursday, Bossa Belle, Kentucky Oysters

Le Miroir Noir, Le Roi, Passion, Soleil D'Altamir

Download Here

Read More

Aebersold - Vol 09 - Woody Shaw Download

Includes: Beyond All Limits (Bossa Nova),Beyond All Limits (Swing)

Blues For Wood,In Case You Haven't Heard, Katrina Ballerina

Little Red's Fantasy, Moontrane, Tomorrow's Destiny

Download here

Read More

Aebersold - Vol 08 - Sonny Rollins Download

Includes: Airegin, Blue Seven, Doxy, Oleo, Pent Up House

St. Thomas, Tenor Madness, Valse Hot

Download here

Read More

Aebersold - Vol 07 - Miles Davis Download

Includes: Dig, Four, Milestones, Serpent's Tooth, Solar

The Theme, Tune Up, Vierd Blues

Download Here

Read More

Aebersold - Vol 06 - Charlie Parker - "All Bird" Download

Confirmation, Dewey Square, Donna Lee, My Little Suede Shoes, Now's the Time & Billie's Bounce, Ornithology, Scrapple from the Apple, Thriving from a Riff, Yardbird Suite,etc...

Download Here

Read More

Aebersold - Vol.05 - Time to play the Music Download

Includes: Groovitis, Beatitude, Modal Voyage, Bebopish

Killer Pete, Freddieish, Snap, Crackle & Pop, Essence

Download Here

Read More

Aebersold - Vol.03 The II-V7-I Progresion Suplement Download

Download Here

Read More

Aebersold - Vol.03 The II-V7-I Progresion Download

Includes: ii/V7/I All Major Keys, G Minor Blues, Bebop Tune

V7+9/I All Keys, ii/V7/I In Three Keys, F Blues With 8-Bar Bridge

II/V7 Random Progressions, ii /V7+9/I All Minor Keys.

Download Here

Read More

Aebersold - Vol 02 - Nothin' But Blues Download

Includes: Mr. Super Hip, Horizontal (C Blues), 6/8 Modal Blues

Slow Blues In G, Slow Blues In F, Fast Blues In F, Fast Blues In Bb

Minor Blues In C, Home Stretch, Long-Meter Jazz/Rock, Bird Blues

Download Here

Read More

Aebersold vol.1- How To Play & Improvise Jazz Dowloadn

Includes: Scales/Chords, Developing Creativity, Improv Fundamentals

12 Blues Scales, Bebop Scales, Pentatonic Scales, Time and Feel

Melodic Development, II/V7s, Related Scales and Modes

Practical Exercises, Patterns and Licks, Dominant 7th Tree of Scale Choices

Nomenclature, Chromaticism, Scale Syllabus and more!

Download Here

Read More

How to Make Hip Hop Beats - 10 Easy Steps By Lerron Carson

When you're just starting out how to make beats it can be fun and frustrating at the same time. Trust me I was there. But it really is easier then you think. If you're making a beat here are 10 tips that will get yo stated.

1. Pick a style- Know the style of beat you want to make before you start making it. Like rnb,rap,pop, etc. There have been plenty of beats that I made and could not figure out what style it was.

2. Pick A Major Artist- Think of a known artist that you would want to make the beat for. Like if you chose a style a rap, think now what rap artist do you want to make the beat for. Try to imagine that artist on your beat. This will make your hip hop beat-making experience a whole lot easier.

3. Listen To Their Song- Take a listen to the rap artist you are making the beat for songs. See the style. Get a feel for the kind of hip hop beats the artist raps over.

4. Formatting The Song- Very important. formatting is, the intro, verse, chorus, verse, bridge, etc. That's all it is but basically you just change the order around however you feel like it. Turn on the radio and see how your favorite artist formats there song. When instruments come in, when they drop out. The most basic form to start with is, 2 or 4 bar intro, 16 bar verse, 8 bar chorus, 16 bar verse, 8bar chorus, 16 bar verse, 8 bars chorus. This is the most basic beat-making song format. This is very common in rap. If you want an even simpler way, you can create an 8 bar loop and keep it the same throughout the whole song. I have seen this done a lot.

5. Laying down the beat- I have learned that for starters, it's easier to start with the drums. Kick, Snare, Hi hat, are always a good start. Record a pattern for four bars with those first. Then layer that with maybe some toms, cow-bell, symbols, etc. Whatever you want to use. THE DRUMS ARE THE MOST IMPORTANT IN MAKING HIP HOP BEATS! Your drums must hit and hit HARD. The best way to get your drums hitting hard is by not using "pitty pat" free kits you downloaded from the internet for free. If your drums are weak, then your beat is going to be weak.

6. Laying Down A Melody- This is where most hip hop beat-makers have the most trouble. Because most eat makers can't play the keys. For starters, you might want to learn basic keyboard skills. The major thing you need to learn are, major and minor scales. After you learn that, try and do different combinations and patterns with the drum beat you have made. Use an instrument like, a lead guitar, horns, clav, something that will stand out. Your melody can be however you want it, but for starters, you could do a 4 bar melody, or an 8 bar melody.

7. Layering The Beat- What is done a lot in beat making is layering. If you have your whole beat finished. You can go and make it sound bigger by layering. All you do is fill in some gaps, do the same pattern you did with one instrument with another instrument. Do this throughout your beat. This will make you beat sound a lot fatter.

8. Pan- Panning is basically having an instrument all the way to the right, all the way to the left, and anywhere in between. You pan for all kinds of different reasons. It gives each track its own little space in the stereo field. There are no rules for panning, put you have to do it. So just try it out and see what you like best.

9. The Mixdown- Very important! Very Important! Very Important! If you have a poor mix on your beat, then you have pretty much wasted your time. When mixing a beat, start with each track individually. Solo each track and make sure it sounds good by itself. EQ it if you have to, but if each track sounds good by itself, the whole beat will sound that much better. DO NOT DISTORT! If your master levels are in the red before you bounce to disc or .mp3, your distorting. Don't worry about if its not loud enough. You never ever ever want to distort. If you are distorting, check any instrument that has boom or low end, Like a kick, bass, sub, etc. these tend to distort more often.

10. The Bounce- Now that you made you're beat, Its the hottest hip hop beat ever, you want to put it on cd or upload it to the internet. When you're exporting a beat for cd, Use .wav file. 44.1 16bit. If you want to upload to the internet use, 320kbps (the highest .mp3 quality) or 128kbps. Most websites wont accept 320kbps because the file size is too big. So go with 128kbps.

These are all just guidelines to help you get started. There are millions of ways to make a beat, But this is just to help.

Mixing Hip Hop Beats - 6 Easy Steps

Read More

The Joe Pass Collection Book Download

The Joe Pass Collection by Joe Pass. For guitar. Hal Leonard Artist Transcriptions. Standards. Difficulty: medium. Guitar tablature songbook. Standard guitar notation, guitar tablature and chord names. 80 pages. Published by Hal Leonard (HL.672353).

ISBN 0793564271. With standard guitar notation, guitar tablature and chord names. Standards. 9x12 inches.

12 songs rom the jazz legend, including: Blues for Basie * Blues for Hank * Cheek to Cheek * Dissonance #1 * Happy Holiday Blues * I Got Rhythm * In a Sentimental Mood * Pasta Blues * Satin Doll * The Song Is You * The Way You Look Tonight * Yardbird Suite.

Download Aqui
Read More